The Heart of It
“Maybe my passion is nothing special, but at least it’s mine.”
― Tove Jansson,
I am a PhD candidate at the University of North Carolina at Chapel Hill in American Studies. Work experience includes: cataloguer, audiovisual archivist, intern, volunteer, adjunct faculty, exhibit developer, and researcher for cultural heritage institutions including Women In Film Foundation, UCLA Film and Television Archive, Academy Film Archive, Schlesinger Library at Harvard University, State Archives of North Carolina, and North Carolina State University. I have presented at numerous conferences and symposia as well as written short pieces for the journal The Moving Image, and a chapter on privacy and home movies in Amateur Movie Making: Aesthetics of the Everyday in New England, 1915-1960 (Indiana University Press, 2017, orcid.org/0000-0002-0852-5499). My first videographic essay about a history of women in 1980s public access television, Cue the Women (2015), was cablecasted on public access television in North Carolina. My current essay, Gone Estray, is forthcoming on [In]Transition.
Recent projects include “Show Your Work” where I employ video annotation tools to facilitate documentation of archival labor and citation of audiovisual primary materials in evidentiary works. And my digital dissertation project explores distant and close textual and data analysis of a mid-20th century women’s travel director for Shell Oil.
In November of 2016 I joined the Association of Moving Image Archivists’ Board of Directors, and hope to be of much service to the membership and the association’s overall future-facing needs.
In March 2017 I joined colleagues at the University of Arizona on renovating the current American Indian Film Gallery as the project The Afterlife of Film: Upgrading and Tribesourcing Southwestern Materials in the American Indian Film Gallery.
“Popular perception looks for simplicity. Hence, the archivist is the person who looks after archives, retrieving the papers or files. The librarian is the person behind the loans desk or putting books on the shelves. The sound archivist or film archivist does not yet, perhaps, present so obvious or distinctive an image.” — Audiovisual Archiving: Philosophy and Principles, Ray Edmondson, UNESCO report, 2004
CONTACT: msdollman [at] gmail.com